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The premise is punchy, but that’s almost all it is the show’s sympathies are so heavily slanted towards Grace (Fonda) and Frankie (Tomlin) that it’s hard to see the positivity in Sol and Robert’s decision. (It doesn’t matter exactly how many, because one already feels like too many.) I can see what “Grace And Frankie” is trying to accomplish-a story that can mine both the humor and pathos out of an impossibly convoluted situation. As it translates to the story, the queer storyline in “Grace And Frankie” confirms those suspicions, because the show has trouble striking a consistent tone: It alternates between syrupy, inauthentic demonstrations of affection between Sol (Waterston) and Robert (Sheen) and more than one superficial joke about anal sex. It sounds like it was the right story for this day and age because it included a trend topic, not because it made the story richer. The storyline of gay marriage was explicitly added after the fact, in a way that indicates, to be frank, a bit of worrying flippancy. It felt like the right for this day and age. She’s the one who said, “What if their husbands fall in love?” We just jumped at that, we just jumped at it. I happened to be sitting in a car with a young woman who works for me. Once we knew that Jane and Lily were both interested, we had to come up with an idea that would be worthy of them because they’re both so extraordinary. Kauffman told my colleague Anna Silman last week: Largely this is because “Grace And Frankie” wants to be about aging women, not about gay men. It should be much better than it is, but the episodes I saw were struggling to nail down an appropriate tone.
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Also like so many Netflix comedies, the first half is probably not a great indicator of how the entire season will go-these shows tend to have a late-season shift that rewards binge-watching-but the studio only released the first six episodes to critics.
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These are big, recognizable names, ones that I am very excited to see on-screen.Īnd yet I cannot in fairness really recommend “Grace And Frankie,” though to be fair, as a Netflix comedy, it’s a pretty low-commitment TV series.
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Marta Kauffman, who previously co-created the beloved NBC series “Friends,” is one of the showrunners, along with former “Home Improvement” producer Howard J. The show has a pedigree that should guarantee success: Jane Fonda, Lily Tomlin, Martin Sheen, and Sam Waterston make up the four main characters, each an industry titan in their own right. Here is some deliberate and imperfect imitation: Netflix saw that you watched “Transparent,” and girl does it have a Suggestion For You.Īs maddening as that is on its own-Time’s James Poniewozik thoroughly engages with the question of what Netflix’s brand is, besides a network that replicates other successes, so well that I don’t have anything to add-it’s only part of “Grace And Frankie”’s problem. The shows find common ground there, too, sort of: The Grace and Frankie of “Grace And Frankie” own a beach house and take peyote together, while dancing around a bonfire. It also takes place in suburban Los Angeles, infused with the New Agey spirituality that is synonymous with California culture and a deep appreciation for the deserts and oceans of the southern part of the state. The story follows two upper-middle-class women hovering around the age of 70 whose husbands come out as gay and announce they are divorcing their wives to marry each other “Transparent,” if you’ll recall, centers on the story of a 70-something trans woman who comes out to her family and the world over the course of the first season. “Netflix’s “Grace And Frankie” was announced on March 19, 2014, just one month after the now award-winning “Transparent” debuted on Amazon Instant Video.